Exhibition presented at the David Kaye Gallery (Toronto)
July 6 – August 6, 2017
These are my latest works for 2017. I began again working in printmaking media in early 2016 at Atelier Circulaire in Montréal, mainly in the monotype process. After a while I felt a need to somehow edit or reassemble the monotype prints that I was not satisfied with and so began to patch them up. I began by using the styrofoam fish and meat trays that grocery stores use for packaging. I liked that they were readily available and easily workable to cut out and pattern with a knife or fork or with just about anything. I inked up and pressed. The printmaking process soon invaded the paint studio, oil and acrylic paint replaced printing ink. Watercolour paper and wood panels replaced print paper.
I soon developed a method of piecing together images with combinations of the styrofoam plates organized in different ways on a sequence of prints. It was a way forward where I could improvise and at the same time maintain familiar images and textures.
The rhythmic and repeated pressing of styrofoam cutout shapes and textures, layering and using imperfect geometric shapes to mask over or superimpose on in a checkerboard fashion became its own imagery. To complete the rhythm metaphor I use depictions of guitar and drum images. I wanted to live in that shifting space bordering figuration and abstraction. My works are abstract in the sense that repetition of form and colour can evoke sound and emotion, and figurative in the sense that iconic shapes can evoke time and place.